I haven't been this excited for a new album in a while - probably since Amos Lee's new record was released. (I realize this makes me an old soul, but I think we've established that already). One of my favorite folk-Americana singer-songwriters, Ray LaMontagne, released his latest album, "Supernova", on April 29th. I had heard bits and pieces of it on iTunes radio and YouTube but couldn't wait to hear the full progression of songs. It does not disappoint.
All of Ray's albums have a bit of a different sound with the same type of Americana roots, which to me signifies a growing, dynamic artist. His earlier works had a more rootsy country vibe with some gripping lyrics, songs like 'Jolene' and 'Trouble'. Even though he had this rootsy sound, he has a unique soulful voice that comes right from the gut. He really showcased that soulful voice on his more blues-inspired album "God Willin' & the Creek Don't Rise". Ray shows the funky side of roots music with the opening song on the "God Willin'" album, 'Repo Man'. Most of the other songs had a more country feel, but nonetheless with genuine and intriguing lyrics.
Ray performing 'Repo Man' on Letterman
I was curious to see where Ray would take his new album musically, since he showed a diversity to his sound on the last album. Anxiously awaiting the album's arrival and before writing this post, I did a bit of research on Ray's influences musically. After reading one of his primary influences was Stephen Stills (of Crosby, Stills & Nash fame), I realized even more why I loved him and his music.
"Supernova" is the ultimate nod to '60s and 70s' folk music and psychedelic rock. The album was produced by The Black Keys' Dan Auerbach, explaining some of the psychedelicness. Opening song 'Lavender' has a Jefferson Airplane and the Doors sound (think the drums in White Rabbit). 'Airwaves' is a song I wish was released for me and Dan's epic road trip through the American Southwest - perfect road trip song. 'She's the One' represents the most rock-forward song on the album, showcasing Ray's soulful voice. 'Julia' and 'No Other Way' sound like songs straight off Crosby, Stills & Nash's 1970 album "Deja Vu". And finally, title track "Supernova" has an eerily familiar Joni Mitchell sound.
Bottom line: I love the album. But I also love this type of Ventura Highway driving music. If you are like me, you'll love love love it. If not, give it a listen anyway. Because I told you to.
(Also readers, never fear. The tales of Nora & Dan's Fantastic Arizona-Las Vegas Road Trip of Fun will continue in a second installment. COMING SOON!!)
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