Minutes ago, I returned home from another successful father-daughter evening at the Hamilton with Dan the Man. Usually I wait a few days (weeks, months, what have you) to write my posts because it gives me time to reflect on what talent I've had the opportunity to witness. But whatever - I'm feeling motivated this eve.
Don't get me wrong - Vintage Trouble could bring the FUNK. But this band is full of special talent, with each of the four musicians dedicated to preserving true American soul music, and bringing their audiences a memorable performance with face melting guitar riffs, mind blowing vocals, killer grooves and of course - pelvis pushing.
I had seen Vintage Trouble at Bonnaroo several months ago and wanted to experience them in a smaller club setting. They were a blast at 'Roo but the big atmosphere took a bit away from their energy. It wasn't until I saw them last night that I realized just what energy they had. Dan and I started at MXDC, an upscale Mexican restaurant right around the corner from the Hamilton. They had a BANGIN' happy hour so we hung there and discussed family and work matters, fightin' the man, etc. until we needed to go to the Hamilton to boogie down.
The band looked like extras from Boardwalk Empire meets Almost Famous. To keep their 'vintage' persona alive, they all wear three piece suits to match their three-piece band of a drummer, guitarist and bassist. Then there is the powerful voice of of lead singer Ty that brings it all together.
VINTAGE TROUBLE |
I appreciate any band that brings soul music back to its home - 'MERICA. We can all revere the fairly recent new wave British soul invasion - Adele, Amy Winehouse (RIP), Joss Stone, Sam Smith - with their powerful and soulful voices anyone could have swore came out of 1950s motown. Now I'm not saying I don't like the British - I love me some football and blood sausage. BUT soul music is and of America and it needed to come home. In addition, I would argue that these British soul singers are so tied to their heros of Motown that they become very cover-heavy. I love a good cover, but it is refreshing to hear bands like Vintage Trouble, St. Paul and the Broken Bones, and Allen Stone play all original music at their shows (or in Allen Stone's case, new arrangements of songs) and really make them their own, creating new classics for my generation.
Vintage Trouble played not one cover, with a nicely arranged set of party starters, acoustic ballads, call-and-responses, and -- more pelvis pushing.
(Sorry guys, these GIFs are just too good)